“French Sinatra” Charles Aznavour dies aged 94

Ioana Erdei 02/10/2018 | 00:11

French singer Charles Aznavour – often hailed as his country’s Frank Sinatra – has died at the age of 94, according to The Guardian.

Aznavour, who was born Shahnour Varinag Aznavourian in Paris to Armenian parents, sold more than 100m records in 80 countries and had about 1,400 songs to his name, including 1,300 he wrote himself. He was sometimes described as the French Sinatra because of his stirring, melancholic style.

He left school aged nine to become a child actor and went on to have a successful parallel acting career, most notably appearing in François Truffaut’s new-wave classic Tirez Sur le Pianiste (Shoot the Piano Player), Claude Chabrol’s Les Fantômes du Chapelier (The Hatter’s Ghost), and the 1979 Oscar-winning film adaptation of Günter Grass’s The Tin Drum

His singing career was forged in occupied Paris during the second world war, performing in cabarets as his parents secretly worked with the resistance, hiding Jews, communists and others in their apartment. “French is my working language but my family language is always Armenian,” he said in 2017.

Aznavour opened for Édith Piaf at the Moulin Rouge and the popular singer was an early adviser – and flatmate. “I brought her my youth, my madness; she loved my whole jazzy side,” he told the Guardian in 2015. She advised him to have a nose job, only to declare, “I preferred you before” after the surgery.

He is one of the most celebrated exponents of the French “chanson” form – easy-listening songs with vivid lyrics, rich in storytelling, emotion and humour. One early song, 1955’s Après l’Amour, was banned on French radio for its depiction of a couple basking in post-coital happiness. 1972’s What Makes a Man, meanwhile, is sung in the persona of a gay man who faces down homophobia to declare: “Nobody has the right to be / The judge of what is right for me.” He became perhaps best known for his gloomier numbers – the director Jean Cocteau once quipped: “Before Aznavour, despair was unpopular.”

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